【摘要】 根植于西部大漠地理空间,雪漠的"大漠三部曲"在对自然、动植物的民间化、传奇化书写中,沉潜着现代文明的反思与家园意识的建构。叙事策略上的文化空间间离与时间对峙的审美间距,生成的是敦实厚重的异域情调之美。对大漠村落的民间禁忌、方言土语、情爱悲歌的乡土本色书写,闪射出异域情调的文化忧郁意识。更多还原

【Abstract】 Rooted in geographical space in China western desert,Xue Mo’s "desert trilogy" which narrated in the nature,animals and plants and folk legend, representing deeply the theme on the reconsideration of modern civilization and the construction of the home consciousness. Focusing on writer’s narrative strategy in "desert trilogy",its prosperous and heavy beauty of exotic cultures came from the aesthetic distance,which originated from the alienation effect of cultural space and the confrontation of culture time. Moreover,the narration of folk taboo,dialect,love elegy deriving from the rural character in the desert reflected the sense of melancholy of exotic cultures.更多还原